This film was going to be shown live in St. You know, things develop and a few groups in society can’t accept what’s going on. “We’ve been pretty liberal and accepting for a long time. I wanted it to go off pretty much like a Buster Keaton film to contrast when you get into the serious part.”Īlthough the main role wasn’t written for a person of short stature, “when came to the audition, she was so good and she added so many qualities to the story.” When she faces down the bullies, he says, “it’s like David against Goliath.”Īssaults on trans people, Tveiten says, are becoming more common. There is a microcosm there and they’re all locked in.” He laughs and continues, “The comedy is that the bystanders are caught in a trap. Among the passengers: a trans woman who runs afoul of some toughs.ĭirector Eirik Tveiten says, “The train was a metaphor for society. “Night Ride” is a sort-of Christmas comedy in which a woman boards a tram just after the conductor has stepped off and accidentally drives it through her Norwegian town. “The cake is a metaphor because those in power want to keep the resources all for themselves - they want to have the cake” in all its excess, rather than sharing it with those struggling to survive in wartime Italy. But she also has, beneath the top layers of this Christmas story she was asked to make by Oscar-winning auteur Alfonso Cuarón, her own sub rosa meanings. The filmmaker’s sense of humor shows up in inexplicable edits, a clever dog and other bits of liveliness that make “Le Pupille” a light, fun watch. Rohrwacher captures moments of absurd beauty, such as the girls in the nativity scene hovering without explanation. “I wanted to finish with the same words Elsa used. “The song is made up of the words of the letter,” says Rohrwacher through a translator. A song sung by the girls says as much: “The moral? Don’t know. Fofi gave Rohrwacher the letter and she saw a film in it - though its events don’t teach some grand lesson. The letter’s writer, the novelist Elsa Morante the recipient, Goffredo Fofi, a noted journalist and critic. There’s a Nativity scene and most important, an enormous cake. There’s a wealthy local woman pleading with the students to pray for her wayward man to return. In “Le Pupille,” director Alice Rohrwacher brings to playful life a letter about a World War II religious school in Italy.
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